初中生優(yōu)秀英語讀后感
當品味完一本著作后，你有什么領(lǐng)悟呢？不能光會讀哦，寫一篇讀后感吧。但是讀后感有什么要求呢？下面是小編收集整理的初中生優(yōu)秀英語讀后感，歡迎大家借鑒與參考，希望對大家有所幫助。
初中生優(yōu)秀英語讀后感1
The best answer this holiday I read the book, Crusoe itself.
Thousands on September 30, one recruited in a voyage began to encounter a terrible storm, ship, except him there. He went to the island. With his amazing perseverance and courage, twenty-eight years later, he relies on his wisdom, and the man escaped the island is unlucky and lucky Crusoe & # 39; Russel grams.
In the deserted island life 28 years! How astonishing number! How brave visible Robinson. He is beginning to the island of despair, he said: "Ive grieved me this desolate environment, no food, no house, no clothing, no weapons, no way, no hope, and rescued by beasts, not only death has swallowed chewing, which was the savages..." However, slowly and his unique personality, to embody full of hope, no longer life all immersed in the design of your own pessimistic, start your undivided arrange own life, he built a small house, Do the table, small boxes, After a lamb, puppy, A kind of wheat, rice... Thus, his hands, created their own small kingdoms.
Crusoe was resolute man. He once said: "my temper is determined to do a thing, do not success never", "Ill do my best for as long as I can, I would pull drowning, as long as I can stand, and I will not fall..." He didnt assistant, tools, lack of experience, so do anything to a lot of Labour, long time. Even do a piece of wood to forty days. He made a lot of things are in vain, no success, but he never discouraged, always summarizes experience of failure and start again. Working hard for encouraging returns, he finally become a Marine, bread, pottery, plantation, there are two ranch, more "luxury" residence... These have not had much strength, overcame many difficulties to come.
初中生優(yōu)秀英語讀后感2
The novel is rich in poetry， symbolism and metaphor. It does not fit easily into a definite pattern， being neither a novel of “manners” in the tradition of Austen， or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles， and which remains uniquely independent of them at the same time， since it addresses issues which were at the time rather controversial.
The novel is written in the first person， and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective， especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroines. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE （looking back）. CB is clever in blending the narrative so that at times Jane seems to be speaking as an adult with adult hindsight ， while at others she she is “in the middle” of them， as a child or young woman. The indecision which is a central issue in the book， is heightened by this device. We never know， as readers， whether to be entirely trustful of Janes actions and thoughts， because we are never sure wheher she is speaking impulsively or maturely.
This intensifies the readers dilemma as to what is “right” and “wrong” in the dramatic relationships which are part of JEs life. Can we believe what the heroine says， or is she deceiving herself? The novel is primarily a love story and a “romance” where wishes e true but only after trials and suffering. The supernatural has its place， as do dreams， portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.
The romantic element is present in two forms in Jane Eyre; the “family” aspect is dealt with in the Gateshead， Lowood and Moor House episodes， which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are， of course linked and interwoven throughout the novel.
There is also a strong element of realism in the novel， which， married to the romantic aspect， enhances the novels strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story， in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.
Even the unlikely is made plausible， with a unique blend of high drama and perceptive low edy （the attack on Mason， for instance）
The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences， are balanced by the realism， and this is of course a major strength.
The Gothic influence cannot be ignored， although CB has refined the technique considerably from the “authentic” Gothic of the 1790s. In the original genre， the heroine would typically be abducted and threatened with seduction， or worse!. There would be a lover - a respectable， well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the seducer would be a brigand “Know that I adore Corsairs!” and he would lock the girl up in a remote castle.
There was little freedom for middle class women during the period of the Gothic novel， and this was still the case in the time of CB. Marriage especially was often a bargain， whereby fortunes were secured by using the female as a pawn. A womans value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men， on the contrary， were potent and free; lovers and mistresses were mon. Ironically the women who provided their services were social outcasts as a result.
In Jane Eyre we see elements of the Gothic romance， in that Thornfield Hall and Rochester are described very much in the brigand;castle style BUT Jane Eyre is not abducted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God， but he is neither kind nor benevolent; driving Jane back to Ferndean， not rescuing her from it.
The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul， which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction， although there are still many aspects of the novel which remain true to Victorian convention!
初中生優(yōu)秀英語讀后感3
I have read some parts of this nover when I was about thirteen years old,but the book was really too thick for me to read over patiently.It’s a pity that I haven’t finished it till now.But fortunately, I have watched the movie “Pride and Predudice”directed by an American film studio several months ago.The simple but pure plot,the wonderful song,the classical custume, the luxury ball,the scene full of amorous feelings from the British country,the beatiful and stubborn actress,all of these moved me deeply.
Mr. Darcy,the actor of the nover,a nobleman from the uper-classes in England,because of this , he has an inborn superiority that he looks down at every person from the lower-classes . He don’t like neither their life style nor their way to think.Elizabeth,the actress of the nover,an obstinate,wise young girl from the lower-classes of the country.She dosen’t like anyone who is constumelious,she hates the spurs from the pride men. By these, you know,there’er lots of conflicts between them,but at last,Darcy and Elizabeth,the two different even opposite youngsters fall love .That’s very incredible.
In fact,we are always pride and think something in our mind but not right,we assess the others only depend on their background or their color of skin , we hide our true heart and pretend ,we dispise the others without any reason……But why don’t we ask ourselves in our heart or mind: what do we feel in fact? What do we need in fact? What do we hate and love in fact? Why not express our real feelings at once?Why not chase the happy we really want ?If we can go through the hindrances that set by ourselves,if we can express the true feelings we have and say it out loudly and clearly to somebody we want to tell with, if we can give up the contumely and spurns which block us to get long well wigh the others wo love,if we can live together harmony and sincere, if ……If that day really comes,the love will come too.
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